She was known as an orphan abandoned by her father, a cabaret performer with little talent, and a seamstress who worked in the back of a tailor’s shop.
But to us, Gabrielle Chanel will always be known as Coco.
This shift in the famous designer’s life—from have-not to have—is the focus of
Coco Before Chanel.
Like its title suggests, the film, directed by Anne Fontaine, isn’t about the groundbreaking style coming out of her Paris atelier. Rather, it’s about how Chanel got to the point where she could revolutionize the way women dress. Audrey Tautou (who may never escape her role as Amelie) plays the role with aplomb, balancing our sympathies for Chanel with our frustration; though her headstrong nature ultimately helps her break into the mainly-male world of design, it also leads to her into some unfortunate positions.
Similar to Chanel’s designs,
Coco Before Chanel's strength is in the details: A young Chanel dressed in a nubby, hand-knit sweater; an older Chanel lying under a tree, surrounded by leaves; an in-love Chanel wandering down the shore as ocean mist veils her body. Shots like these help the film transcend what could otherwise be just a glorified BBC movie.
And though the film features heartbreak and letdown, knowing how it ends—with a legacy that’s only gotten bigger over the years—allows for liberated movie viewing. Just be warned: You’ll want to indulge in some hardcore shopping the moment you leave the theater.
REBECCA WILLA DAVIS
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